Category: Funny

<singing like I was on Sesame Street> One of these pictures isn’t quite the same.

Joke from Shasta Bob…

A police officer pulls over a speeding car. The officer says, “I clocked you at 80 mile per hour, sir.”

The driver says, “Gee, officer, I had it on cruise control at 60, perhaps your radar needs calibrating.”

Not looking up from her knitting the wife says sweetly from the passenger seat, “Now don’t be silly, dear, you know that this car doesn’t have cruise control.”

As the officer writes out the ticket, the driver looks over at his wife and growls, “Can’t you keep your mouth shut for once?”

The wife smiles demurely and says, ” You should be thankful your radar detector went off when it did.”

As the officer makes out the second ticket for the illegal radar detector unit, the man glowers at his wife and says through clenched teeth, “Doggonit, woman, can’t you keep your mouth shut?”

The officer frowns and says, “And I notice that you’re not wearing your seat belt, sir. That’s an automatic $75 fine.”

The driver says, “Yeah, well, you see officer, I had it on, but took it off when you pulled me over so that I could get my license out of my back pocket.”

The wife says,” Now, dear, you know very well that you didn’t have your seat belt on. You never wear your seat belt when you’re driving.”

And as the police officer is writing out the third ticket the driver turns to his wife and barks, “WHY DON’T YOU SHUT UP??”

The officer looks over at the woman and asks, “Does your husband always talk to you this way, Ma’am?”

“Oh, heavens no, officer. Only when he’s been drinking.”

Joke from my cousin who’s stationed in Germany.

An officer in the U.S. Naval reserve was attending a conference that included admirals from both the U.S. Navy and the French Navy.

At a cocktail reception, he found himself in a small group that included personnel from both navies.

The French admiral started complaining that whereas Europeans learned many languages, Americans learned only English.

He then asked: “Why is it that we have to speak English in these conferences rather than you speak French?”

Without hesitating, the American Admiral replied: “Maybe it’s because the Brits, Canadians, Aussies and Americans arranged it so you would not have to speak German.”

The group became silent.

From Boing Boing, Business 2.0 presents its yearly “101 Dumbest Moments in Business.” Some pretty funny ones in there.

In September, retail chain Urban Outfitters begins peddling Ghettopoly, a Monopoly knockoff. The top hat, shoe, and car are replaced with a machine gun, marijuana leaf, basketball, and rock of crack cocaine. Reacting to protests, Urban Outfitters pulls the game from its stores.

Link

Thanks to Barney for this list of Jewish Deep Thoughts of sorts.

Let your mind be as a floating cloud. Let your stillness be as the wooded glen. And sit up straight. You’ll never meet the Buddha with posture like that.

There is no escaping karma. In a previous life, you never called, you never wrote, you never visited. And whose fault was that?

Wherever you go, there you are. Your luggage is another story.

To practice Zen and the art of Jewish motorcycle maintenance, do the following: get rid of the motorcycle. What were you thinking?

Be aware of your body. Be aware of your perceptions. Keep in mind that not every physical sensation is a symptom of a terminal illness.

If there is no self, whose arthritis is this?

Breathe in. Breathe out. Breathe in. Breathe out. Forget this and attaining Enlightenment will be the least of your problems.

The Tao has no expectations. The Tao demands nothing of others. The Tao does not speak. The Tao does not blame. The Tao does not take sides. The Tao is not Jewish.

Drink tea and nourish life. With the first sip, joy. With the second, satisfaction. With the third, Danish.

The Buddha taught that one should practice loving kindness to all sentient beings. Still, would it kill you to find a nice sentient being who happens to be Jewish?

Be patient and achieve all things. Be impatient and achieve all things faster.

To Find the Buddha, look within. Deep inside you are ten thousand flowers. Each flower blossoms ten thousand times. Each blossom has ten thousand petals. You might want to see a specialist.

Be here now. Be someplace else later. Is that so complicated?

Zen is not easy. It takes effort to attain nothingness. And then what do you have? Bupkes.

Update on 4/20/08: It’s been brought to our attention that these lines that were forwarded to me originally appeared in Zen Judaism: For You, A Little Enlightenment. So if you’re looking for more like this, buy the book.

We’ve all done it (at least all men have). We’ve all tried to spell something in the snow with urine. Now you can do it online and send the message to your friend.

I always thought that humans were the only animals stupid enough to get drunk and pull off stupid Jackass-like moves. Apparently elephants can, too:

Four wild elephants drunk on rice beer have been electrocuted in the north-east Indian state of Meghalaya, wildlife officials report.

Long story short, the elephants started to acquire a taste for rice beer that’s produced in some India villages. They went on a rampage, drank a bunch, ran into a telephone pole, electrocuted themselves.

Are pachyderms eligible for Darwin Awards? I wouldn’t think the awards are human-specific, considering Darwin’s theory of evolution was in regards to all species.

Thanks to Barney for the tip.

Paris, France vs. Paris, Kentucky…

    

E-mail forward I just got from a fellow band geek:

Important message from Homeland Security

Subject: “Band” Weapons of Mass Destruction

It’s hard to believe that the Pentagon website contains this surprisingly un-PC sub-section listing of some more obscure WMD’s (Weapons of Mass Destruction): The following is a list of more obscure forms of domestic “Band” Weapons of Mass Destruction. These are the most insidious and dangerous weapons of all. To the common layperson, they appear innocuous and non-lethal, but in the right hands, they present a threat of incalc ulable proportions. Please read the following and heed all precautions therewith.

PICCOLO: the minute dimensions of this weapon make it especially lethal as it is easily concealed and can be set off just about anywhere. As a solo weapon, this device emits a high-pitched squeal that directly targets the inner ear. The application of this tone temporarily disorients its intended victim rendering him unable to react. The natural reaction of covering one’s ears to reduce the intense pain causes military personnel within a 100 yard radius to drop their weapons leaving them defenseless to further attack. Applied in concert with a second piccolo of slightly higher or lower pitch, the weapons produce the effect of an ice pick through the eardrum and may cause profuse bleeding of the aural cavity. These weapons are constructed in three forms; metal, composite materials , wood, or any combination of the three. The all-metal piccolos are especially lethal. The only countermeasure to this weapon is to apply psychological warfare in the following manner. Compliment the musician on her: Clothes / Hair / Shoes. This will distract the musician(s) from emitting her deadly tones and cause her to gab endlessly about herself. This in itself takes us to another problem man has dealt with for a thousand years and to which there is no antidote. Good Luck!

FLUTE: Slightly less effective as the piccolo but still nothing to be trifled with. The flute possesses the same destructive qualities as the piccolo but is required in greater numbers to do so. Sixth and seventh grade females are especially effective with this weapon and are to be approached with extreme caution.

OBOE: This weapon may appear harmless at first sight. The instrum ent’s stealth qualities lure its intended victims into a false state of security, and then hit them without mercy. The oboe itself is a harmless composite or wooden conical tube. Once the ordnance (reed) is inserted, it is a weapon of tremendous power. One comforting factor is that the oboe is only as dangerous as the musician who wields it. At first glance, the operator of the oboe appears sweet, demure, and quite approachable. Do not be fooled by this deception. The oboist is actually a very high strung and temperamental foe. This mania is caused by the perpetual search for the perfect reed, which we all know doesn’t exist. Those who play on plastic reeds are the bottom dwellers of the oboe world and are especially dangerous. The oboe is capable of producing a tone of laser-like quality. The sheer capabilities of volume produced can overpower an entire concert band. The resulting backpressure produced by over blowing has a two-way effect. It allows the musician to play seemingly forever on one breath resulting in sympathetic vibrations causing bulletproof glass and diamonds to shatter into deadly flying shards. The warning signs of impending doom occur when the musician raises the body of the instrument to her mouth to blow dust from under a key. This is how the weapon is cocked. If you ever see an oboist do this, run for cover my friend, for all Hell is about to break loose. The second effect of this weapon’s backpressure is to cause its owner to eventually go insane. On rare occasions an oboist’s head has been known to explode while firing their weapon. The only countermeasure to this weapon is to remove and professionally destroy the ordnance (reed). Doing so will also incur the wrath of its owner, so use extreme caution. The first mast er of the oboe as a weapon was Melvin “Schwartz” (Oklahoma All-State Band 1982), name changed to protect the guilty. He single handedly destroyed a performance of the Howard Hanson Romantic Symphony Finale under McBeth with his laser-like tones and inconsistent attacks. To this day, he has a bounty on his head and was last seen tending bar in Tijuana.

Eb CLARINET: The Eb clarinet is the Tasmanian Devil of the woodwind family. Entirely uncontrollable and unpredictable, its blunderbuss like emissions can occur without warning. It is as much a danger to its owner as it is to the intended victim. For this reason the Eb clarinet is not in wide use today and only used by highly trained professionals and circus band daredevils.

Bb CLARINET: As the flute is to the piccolo, the Bb Clarinet is to the Eb Clarinet. The only time a Bb clarinet is considered truly dangerous is in the hands of a saxophonist doubling on clarinet. His seemingly lacking ability to adjust his air to the clarinet causes a tone so forced and horrific that decorum prevents me from continuing.

ALTO, BASS, CONTRA BASS CLARINET: The Scud missiles of the clarinet family. Considered low-grade weapons, these clarinets are of limited lethality due to the extreme geekiness of their operators.

BASSOON: This is a weapon designed to start wars. Used primarily indoors, this weapon’s unique tone can cause great embarrassment in social situations. Also known as the “farting bed post” the bassoonist will hide behind a set of curtains at an official state dinner or similar function. With the help of a diplomatic operative during the meal, the intermittent flatulent tones emitted by the bassoon can be blamed on certain visiting high government official s, causing great embarrassment and the possible beginning of hostilities between two countries. The best countermeasure to the bassoon involves lighter fluid and matches (you fill in the blanks).

SOPRANO SAXOPHONE: (See Kenny G) AHHHHHHHHHRGHHH!!!!!

ALTO SAX: Originally invented by Adolph Sax as the result of an evening of much cheap wine and a dare by a drunken horn player, the instrument he produced is neither brass nor woodwind. The only intended victim of this vile weapon is the concert band French horn player. Nothing is worse than hearing a great brass lick only to be obscured by the overly reedy tone and wobbly “vibrato” of some half crazed alto sax doubling the horns and overplaying them. Composers and arrangers are to blame as much as the alto players. Older players unable to temper their 1940’s swing band vibrato are also a danger. The only counter measure is to question their manhood by daring the player to play Charlie Parker’s “Donna Lee” at 230 beats per minute. That should shut ’em up!

TENOR SAX: (See Alto Sax) Counter measure, throw down the gauntlet with a dare to render John Coltrane’s “Giant Steps”.

BARITONE SAX: A tenor or alto wannabe, this instrument is flaccid and harmless unless played in the style of Stephen “Doc” Kupka (Tower of Power). His sporadic well placed grunting and punctuated style, when discovered by young players, can cause discomfort among the average school director. The only counter measure to this is self-medication by the teacher in the form of tequila shots or similar substances.

TRUMPET: Obviously one would think that a trumpeter’s greatest weapon is his ability to play high notes at great volume. This misconception has been perpetuated unwittingly by great performers like Maynard Ferguson and Dizzy Gillespie. The danger is not in the player who can play high. The danger lies in the player who THINKS he can play high. A young player’s incessant caterwauling and inflated ego are a danger to himself and all those around him. The most effective counter measure is to allow the player to continue his high note practice (even encourage him to go higher and louder) until his lips explode or he cracks a tooth jamming his face into the mouthpiece.

FRENCH HORN: French horns thankfully are a danger only to a small group of people, as their bells point in the wrong direction. They are only a danger to those unfortunate enough to have to sit behind them. Their intonation problems and constant cracking of pitches is of great annoyance to those brass players sitting behind them. Though lately the introduction of Pl exiglas reflectors has reduced the danger to those behind the horns, unfortunately it presents a greater danger to the players themselves and those in front of them. Upon hearing their actual tones coming back at them, some hornists have been known to actually vomit on stage due to the hideousness of their own tone.

TROMBONE: A unique application, the instrument itself is not the real danger. The person playing the instrument is what is truly dangerous. The trombone and its player are the original “smart bomb.” This weapon is most effective in high tech warfare areas. Insertion of one or more trombonists into a warfare computer center instantly lowers the aggregate I.Q. in the room. The trombonist’s incredible stupidity is a lethal bio weapon that spreads at an incredible rate. Within 5 minutes of exposure, all computer operators within a 50-foot radius are re duced to drooling idiots incapable of the simplest motor functions and bowel control. Use of trombonists as weapons was outlawed by the Geneva Convention in 1999 after an ugly incident at a Dixieland convention in Sacramento.

BARITONE/EUPHONIUM: This is a weapon of mass confusion. Euphonium players are the Rodney Dangerfields of the brass world. Young players especially don’t know their place in the band. They double French horns, trombones, saxophones, tubas in octaves, bass clarinets, bassoons…yadda, yadda, yadda! Euphonium orchestral parts are played by the second trombone or worse, the tuba player! For this reason most euphonium………baritone…(WHATEVER!) players resort to doubling on trombone. This is when they become dangerous. (See trombone.)

TUBA: This is a sonic weapon that when set off can produce sub sonic tones causing a gen eral feeling of uneasiness and queasiness to those within its effective range. In addition, one may attach a sousaphone to a marching column of soldiers. As all tubists drag, the ever-slowing performance of um-pahs will eventually reduce the marching soldiers to a snail’s pace causing them to be late for a battle or not arrive at all. The most effective countermeasure is to feed the tubist with great quantities of beer (imports if you have them). It won’t improve his playing but makes him more enjoyable to be around.

SNARE DRUM/TRAP SET: This weapon affects only a very small demographic: teenage girls and the fathers of these girls with steady jobs and liquid bank accounts. The snare drummer and the jazz/rock variety of set player act almost like a computer worm. The drummer will attach himself to an unsuspecting teenage girl and milk her and her father’s finances in s uch a way as to not be noticed by the father until it is too late. Drummers are the leaches of the music world and can only be countered by being forced to get a real day job. This will reduce the drummer’s “coolness” factor and the daughter will immediately lose interest.

And the farmer has to go digging the usual way to recover them.